I am delighted to spend the Summer as a visiting scholar at the renowned Getty Research Institute in Los Angeles. Together with my good friend and colleague Dr. Christian Huemer, we have started to explore the possibility of co-authoring a synthesis on the history of the art market. A volume like this does not exist to my knowledge, and would be useful for students and readers generally interested in the art market.
Christian is the head of the Project for the Study of Collecting and Provenance at the Getty, and very knowledgeable about the nineteenth and twentieth century. Since I have done work on the early modern period as well as the global art market of the twenty first century (notably India), we hope that our complementary expertise will result in a worthwhile book on the fascinating development of the art market since the Renaissance!
I look forward to traveling to New York on 18 April to present a paper at the Art Market Studies: Art History’s Salvation or Doom conference organized by Christie’s Education.
My contribution will explore the potential of new digital intermediaries such as Wikipedia and how they allow for the public shaping of art knowledge, and the extent to which they relate to traditional art expertise, including art historians, in the valorization of art. To empirically address the role of art historians in the contemporary art world, Iwill present a case study consisting of key artists from classic art history texts from the Netherlands, the US and India and compare how they are framed on Wikipedia. I examine the extent to which amateur experts impact the construction of art knowledge and whether they reconstitute the art canon that was once the exclusive domain of art historians. In other words, are amateur experts causing the demise of the art historical profession, or as I argue, is there an even greater need for trusted and trained art experts in an information saturated world brought on by new media technologies?
I have been appointed Professor in the Cultural Economics of Global Art Markets at the Erasmus University. I look forward to continue my teaching and research on the history and functioning of art markets, the notion of quality in the visual arts, emerging art markets and the role of intermediaries in the art world as arbiters of taste. The oratie (public lecture) will take place in Rotterdam on Friday 12 June 2015 at 16:00.
Payal and I were interviewed at the offices of Art Review in London to discuss some of the recent developments in the contemporary art market, and especially pertaining to emerging art markets. This video contains excerpts of the interview on the New Cultural Commons.